Crosby, David

DM) I recently spoke to Graham Nash who spoke about your friendship with him. He described himself as the balancer in the group, keeping in check all of the personalities in Crosby, Stills, and Nash. But he also said, when things go wrong, he looks towards you as the person who balances him.

DC) Well, it's been a long and quite wonderful thing. He's an amazing man, and he's been the best friend I've ever had. Yes, he has been the balancer and the diplomat, the conflict resolver, the good influence...he's been the brains of the outfit for a long time.

DM) Graham described the group as having an entirely different dynamic before you were clean of drugs and after.

DC) Sure, before that period, I was in a prison in Texas. Truthfully, being a junkie, being a freebaser is a worse "prison" than being in prison. I don't really regret having gone to prison, but it was drastically different obviously.

DM) Do you find musically that your music even comes out different now than before?

DC) It was almost two plottable curves: as the drug intake went up, the music output went down. The minute I stopped [drugs], it started getting better, and soon after I started writing again. The last two years when I was really strung out, I didn't write at all. A person's work is not only a window into their soul, but a barometer of their mental and physical health. I could only draw one conclusion--that it worked better.

DM) But you would hear the joke in the 60s, "the higher you get, the better music you'd turn out."

DC) Well, we thought that, but it didn't turn out to be true.

DM) Are you prouder of what you've done recently than what you've done in the past?

DC) I wouldn't compare one to the other, but I am particularly proud of the stuff that I've done lately, the work that I've done with my son, James. It doubled and tripled the output for me over the last few years, and I think it's some of the best music that I've written over my life. I'm very happy with C.P.R., and I'm very happy with how it's affected my writing and my playing. It's still music, and it's still "forward motion." I think that's the phrase Neil used to describe me and C.P.R.

DM) It must be a unique opportunity to work with your son. Most people don't have the opportunity...

DC) No, most people don't. But it's more than that. Even if you have the opportunity to work with your kids, very few kids would turn out like him. He's a much better musician than I am. He's astoundingly talented.

DM) Are you able to work together as equals or is it a father/son thing?

DC) It's not a father/son thing; it's more like two brothers really, because we're both raising 7-year-olds. He's fully-grown and doesn't need a lot of parenting; he needs friendship, and he gets that.

DM) Does that get hard when the lines get blurred then?DC) No, it's very easy, very comfortable, and very good.

DM) From what you're describing, it sounds like one of the happiest times of your life.

DC) It absolutely is. It's no question. I'm happier than I've ever been in any time in my life. Truthfully no, there's nothing more I would want for myself. I'm ecstatic, I couldn't ask for anything better than this. There are things that I would love. I would love to do some more work with Neil. I think that he's a stunning musician. I would love it if Roger McGuinn would do some more work with me as the Byrds, but he doesn't want to right now, so that won't happen right now.