
Elko, Janis - of Brutus Bit Me
By: Dominick A. Miserandino
Janis Elko has come a long way from singing in front of frat boys in the local bar. Her newest album with Brutus Bit Me is selling more and more, due in no small part to her Melissa Etheridge-like vocals.
DM) Which piece of your work is your favorite?
JE) So far, it's gotta be "Song About The Subway." There are a lot of
reasons, but mostly it's because the subject matter was a little more
"daring" than what I usually chose to write about at that time. Also, we got
the most experimental with it in the studio, which I think shows ...It's a
lot more "fun" than some of the other songs. Additionally, it was a kind of
breakthrough for me musically, from when I wrote the first chord
progression...I marveled at the simplicity of its arrangement, and the
potency of that simplicity. For me, it opened up a whole new approach to
writing.
DM) Who would you consider as your influences?
JE) My early influences are Sting, Peter Gabriel, Led Zeppelin, Joni
Mitchell, Indigo Girls, and Melissa Etheridge. Lately I've been into Sting,
Jane Siberry, Mark Eitzel, Radiohead, Lori Carson, Bjork, Ani DiFranco, Shawn
Mullins... the list is eternally evolving.
DM) How did you start in music?
JE) Personally, I started with cover song gigs. You know, Janis Joplin,
Melissa Etheridge, etc... I got a gig in New Brunswick doing this type of
stuff once a week at the "Scarlet Pub" for about two years, singing in front
of a bar full of frat guys who were watching the game on the TV above my
head! But I didn't begin toying with the idea of writing original songs
until I co-formed a band with another area musician sometime in 1994. We
ended up going our separate ways in '96, but we each continued along our own
creative path after that. My creative path was "Brutus Bit Me."
DM) So how accurate are your Joplin and Etheridge impersonations?
JE) Well...not identical, but accurate enough. I used to have a lot of
people tell me I sounded like Melissa Etheridge back in those days, but I
think that was just the
"I-can't-think-of-any-other-female-singers-right-now-so-I'll-just-grab-the-fir
st-thing-that-comes-to-mind" answer... Besides, how many female singers do you
think the average frat guy is familiar with? But I used to try to
impersonate all their moans and all their vocal inflections and whatnot, so I
guess I got away with it pretty well-- although my voice tends not to be as
"raspy" as either of theirs. Well, not yet, anyway.
DM) You're trying for raspy?
JE) Well, raspiness has its charm, but... no, I just haven't sung improperly
for enough years to create the raspy effect in my voice.
DM) Did you study singing?
JE) Well, not until recently; I study with Don Lawrence in New York City.
He's awesome! I have been under his instruction for almost two years now,
and I think he's just done wonders for my voice. I feel like I have so much
more control in my singing now than I had years ago.
DM) What have you learned that has changed your singing?
JE) Well, I wouldn't say it's "changed" really, but it's just generally
gotten a lot better. For instance, I now sing more clearly and with more
strength than I used to. But this is not solely from voice lessons; there are
years of live performances involved... The most important thing I've gotten
out of the lessons is the exercises. You know, the "ooh's and ahh's" and
whatnot (that description does not do them justice...). But really, they not
only warm up my voice (properly...), but also help build stamina. And they
were constructed to suit my personal weak/strong spots. Also, Don makes sure
that I do not slack! Any little problem I'm having, he'll focus on until
I've got it. And also, if I have a cold or some other minor ailment that is
affecting my singing, he always has good therapeutic recommendations. There
are other things, too, such as where to place certain sounds to make them the
most effective, etc. There are so many little things, but it's all as far as
you want to take it, you know? I mean, there are some "improper" things I
do with my voice that I actually like.
DM) Where do you see your career going from here?
JE) Writing, writing, writing... working on new material and playing lots of
live shows. Recording another album, perhaps even doing a tour, but
basically, just writing great songs and getting them out there in whatever
way we can.
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