
Lisa Marie Presley - Rock/Pop music star
By: Dominick A. Miserandino
Lisa’s newest album was well received by fans and critics alike. But why did a person who has avoided the spotlight release two albums? Is it a challenge to her? Lisa exposes what’s going on behind the scenes.
DM) You said once that your first album wasn’t made to be a pop success
but because you enjoyed it.
LP) Yes, well I managed to get a bit of a fan base and they wanted
more of it. If it wasn’t for them I don’t know if I would have done a
second album.
DM) You were at the Stone Pony when you noticed this?
LP) Yes, It was a night off and I felt intimidated at first. I
wanted to pay my dues and open. I didn’t want to be a headliner yet. It was
a little harsh for me. It wasn’t my favorite experience but it was good for
me to do. I knew a lot of people were there for curiosity and I knew I had
to work really hard to win over the crowd every night. I didn’t want to
have to prove myself to the crowd and I wanted to be able to enjoy it.
DM) When did it switch from work to enjoying it?
LP) When I headlined, when I did my first tour.
DM) Was your first headline nerve-wracking in a way?
LP) No, because they loved the music. They loved my record and they
get so into it that it really grew and came together in the end. I have to
say it was the exchange that happened. It was the letters from the fans…
“Your music helped me get through this illness”, “Your music changed my
life”. It’s an incredible reaction and it took a while to sink in. It was
a great experience, which leads to the second album. I don’t play big giant
venues and the fans that I do have I really found my way with.
DM) Did you find that by interacting with the crowd you found your own
voice?
LP) Yeah, I am which is kind of why I did it in the first place. The
other thing is that I think I was pushed to the wrong demographic. I’m not
a top-40 artist and that’s nothing I aspire to be. That’s not what I want.
DM) What do you want then?
LP) I’m very comfortable doing what I’m doing, playing in front of a
few thousand people and when I see that I’m moving them and the music
speaks to them. I want to know that I’m helping people and moving them.
That’s what I’m about. I’m just a music lover, maybe that’s a naive
approach. I don’t have an interest in selling out to sell records.
DM) You mentioned that you’re comfortable in front of crowds of
thousands but at one point you seemed to have avoided the crowds. Why the
switch then?
LP) I have a very specific answer to that question. When you get
attention for being an offspring of a famous person from the day you were
born, without having continued a product it’s a very big difference. I’m
doing something and exchanging something with the audience. I’m giving, it’s
a little more comfortable for me to get attention for that. Not for getting
attention for whatever the reason. I personally needed to feel I was
contributing somehow.
DM) Was there a moment that you realized that they like you for you and
not for your famous dad?
LP) That was while I was touring. When the whole machine went into
action and I finally realized that I don’t have just one demographic but
it’s a mixed group of people. It was when I saw that fans were there for
my songs.
DM) For so many years you lived under a big shadow, but it sounds like
you’re saying, as of late your failures and success are your own. Were you
apprehensive or cherishing that thought?
LP) It was something I was looking forward to but I was very
apprehensive. Can I climb this mountain? Is this even possible? Am I
delusional? In the beginning I wasn’t nervous from the critics, because I
thought they’d like it. I knew that it was probably thought of as a sell
out or a pop thing, not knowing me at all. I was okay with that, but I was
worried whether my music could help people and move them. Is it possible
for people to hear my songs and understand them and be moved them? That was
my biggest worry. It was a mountain to climb and I’m still climbing the
mountain. I would be delusional to say I wasn’t… it’s still there.
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