Seth Walker released Gotta Get Back on Sept. 2. This Blues/Americana artist appeals to a wide audience, due in part to his varied influences.
Seth Walker released his ninth album, Gotta Get Back, on Sept. 2. Though currently residing in New Orleans, Walker grew up in North Carolina. Subsequently, he lived in Austin, Nashville and New York. Each musical region left a noticeable mark on this Blues/Americana artist. A family affair, Gotta Get Back was recorded with arrangement and performance help by Walker's close relatives.
Gotta Get Back starts with a hint of groove on “High Time.” A dash of funk in underlying instrumentation causes listener’s feet to immediately begin tapping. “High Time” is a strong opening number, perfect for singing along on a sunny day. Following immediately afterward is “Fire In The Belly." Maintaining funky guitar work, track two has a ‘60s rock appeal layered over an Americana base.
Next in “Back Around,” Seth Walker showcases a different side to his music. Folk-style clapping mixes with almost gospel-inspired vocal inclinations. Walker presents an honest voice and does not seem to shy away from placing his heart on his sleeve. Consequently, audiences become easily drawn in.
A wide range from Seth Walker
Gotta Get Back is comprised of well-executed Blues/Americana/Folk mixtures, in varying ratios. However, a few especially interesting songs stand out. One such tune, “Way Past Midnight,” is a faster track. Carrying an old-school rock sensibility with great key work, it is reminiscent of ‘50s American rock.
Following “Way Past Midnight” comes “Home Again.” In rhythm, intonation and execution this song is folk-infused. Humming completes the sense that Seth Walker sits in back of a pickup, driving through wheat fields while performing. It seems that his Nashville influences show through here.
The title track, “Gotta Get Back,” is a true gem. With an open feeling, the use of minimal instrumentation is an effective choice. Seth Walker presents heartfelt lyrics that are not obvious, which is somewhat rare. Finally, “Blow Wind Blow” closes out Gotta Get Back in a pared-down back road tune. Appropriate for this album, “Blow Wind Blow” feels more like a family singing around the campfire than a studio recording.
Seth Walker produced a strong record with Gotta Get Back. Fusing various influences, he weaves together one tapestry with far-reaching appeal. As a result, listeners of many kinds are likely to find themselves singing along with this album.