On Dec. 2, High Sunday released their debut self-titled EP. This seven-member crew describes itself as socially and politically conscious hip-hop.
High Sunday released their debut self-titled EP on Dec. 2. This hip-hop fusion band is comprised of seven members. A Los Angeles-based crew, they have sax, drum, bass and key players as well as vocalists. Of note is the fact that High Sunday defines itself as socially and politically conscious hip-hop. Though the tracks do not necessarily resonate in a sociopolitical manner, these artists prove they have talent.
High Sunday begins with “Wonderland.” This track opens with a cinematographic feel, featuring horn work and sparse, echoing tones. When the beat drops and vocals come in, it feels a touch too shiny. Almost two minutes later though, the track hits its stride and becomes more engaging. Throughout “Wonderland,” the chorus is far outshone by each verse.
“Let Go (feat. Jaq Lion)” is second up on High Sunday. From the start, this track presents a solid hook. It is infused with danceable electronic and rap elements, which could easily be snuck into a club set. This is a successful second track from High Sunday.
“Get There (feat. Jaq Lion)” is third on this record. Listeners are able to focus more on the words during this cut, due to comparatively sparse instrumentation. In the previous two tracks, fusions sounds worked well for High Sunday. However, “Get There” feels as though it is suffering from a bit of an identity crisis. Each element is strong, but the whole is less inspiring.
“Hip Hop Anonymous” takes audiences back to ‘90s hip-hop in an enjoyable way – with High Sunday’s unique spin. This is a strong note for the crew to go out on. With a solid and weighted groove, “Hip Hop Anonymous” will get stuck in listener’s heads.
High Sunday proves they have talent to share in this EP. Though each track attains a different level of success in execution, it is enough to make listeners look forward to the next project from the group.